http://www.seth-styles.com/new-blog daily 0.75 2013-08-30 http://www.seth-styles.com/work-fantasy-sci-fi-art daily 1.0 2025-04-07 https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435566362096-NGSLJHH0PH3M7994R3XN/Hobby+Horse+Cowboy+-+Adjusted+SMALL.jpg Fantasy and Sci-Fi Art - The Hobby Horse Cowboy 2014 - watercolor, acrylic, and pen on paper BUY POSTER OF THE HOBBY HORSE COWBOY "The Hobby Horse Cowboy was originally conceived as a Halloween costume. Unlike another example of my art that began as a Halloween costume, Prototype 0, the Hobby Horse Cowboy became too daunting and expensive to do properly so he only exists at this point in scribbled notes, conversations with friends, the deserts of my dreams, and the illustration you see here. The polka dot pants were extremely important to me but I can't quite put into words why. The closest I can get is saying they somehow unnerve through their mixed insinuations of mania and something that may pass as confidence. This isn't a deep security, rather it's an expectation that the winds blow in his favor. It was also important to me that the cowboy have the lower half of his face red and the upper half white with the exception of red bordering his eyes. At times, I wondered if this was indicative of the cowboy actually being an android but I no longer feel that's the case. I'd say that his face is simply painted, but I don't know why. However, the red around his eyes may be a natural discoloration from sleep deprivation or some sort of physical reaction to being dead. This may sound mysterious at this point but if you're curious and find yourself reading my graphic novel in the future, this assessment will probably make more sense. Even if I were not holding some cards regarding the Hobby Horse Cowboy close to my chest, I wouldn't be able to divulge much that wasn't vague for two reasons: 1.) a lot of the truth of the Hobby Horse Cowboy that will need to be revealed to me prior to completing the graphic novel has yet to be revealed to me and 2.) the Hobby Horse Cowboy is clearly insane. The hobby horse itself may be the clearest sign of this. If there's any doubt, I assure you that he truly believes that the hobby horse is a living, breathing creature that makes his trek across the wastes easier. However, that is a very real gun in the cowboy's hand and an equally real Sheriff's star badge, purposely pinned upside down in reverence to Satan. This is one of those areas I don't know much background on but the Hobby Horse Cowboy worships Satan for whatever that's worth. You may also notice the inverted pentagram adorning his pistol's holster. The white effeminate hair of the Hobby Horse Cowboy was somewhat informed by my imagining of Stephen King's description of his Eldred Jonas character and may be the closest thing to a similarity in appearance the two characters actually have. The landscape of this illustration is admittedly simple though perfectly in line with my vision of the cowboy's jurisdiction. This was somewhat influenced by Moebius' art on the Western comic, Blueberry, which I've never actually read. I only became aware of it in the documentary Jodorowsky's Dune and the brief mention and images from Blueberry in the film were enough to leave inspiration. Unlike a lot of my other works, I actually questioned this illustration, attempting to find meaning in this character that presented himself to me with so much mystery. I took my own impressions of the classic cowboy, seeing them as a symbol that can be at once respected in its adherence to a code of honor, and simultaneously derided for being archaic in its immutable masculinity. In the Hobby Horse Cowboy the pressures of that rigid masculinity give way to insanity. Here I saw the societal pressure to "be a man", the suppressions of emotions, the symbolic gritting of teeth as the whiskey burns its healing burn over a figurative bullet wound. Those stone faces crack and the Hobby Horse Cowboy is underneath. Those pressures drive him to an infantile state, a Peter Pan of the frontier land. He's the self-appointed sheriff of his own Western fantasy, enforcing laws with no basis; a mirror to some of the out-of-balance officers of the law who stand as both villain and victim in the pages of our newspapers, smashing the world around them while caught in the thick-walled prisons of their own skins. The world demands manhood so violently but instead receives echoes of children in tantrums. But beyond that obvious exploration of the Hobby Horse Cowboy, there is a less violent, almost bittersweet quality in the themes of masculinity explored and perhaps this is more on a personal level. While I may not have been drawn to Westerns through most of my life, my father loved the movie The Outlaw Josey Wales. I never made the initiative to watch this movie with my father nor was I ever invited to join him but I still remember him watching it on rare occasions and seeing the VHS among our rather erratic family collection, the title handwritten on the paper label adorning the plastic spine. This was an artifact of my father's world and I was almost blind to it in my disinterest. But on occasions when I'd find myself trying to connect with my father in some way, my mind would at times drift to this film (which I still haven't seen though plan to someday). I feel that, on some deep level that can't be fully explained, the Hobby Horse Cowboy also speaks to me of the relationship between sons and fathers, the artifacts the youth tries to comprehend before passing over in boredom, but remembers like a Holy Grail in the painful light of passing time. In Django Unchained, there is a montage where Django is somewhat haunted by longing for his wife to the sounds of Jim Croce's brilliant and beautifully depressing "I Got a Name". This single, released just after Croce's death in an airplane crash, speaks of a father's unrealized dreams for his son and optimistically addresses those dreams while expressing a warm gratitude and respect for the father. In this, we find hope that the son can take a different path than the father and still earn the father's pride and respect ultimately. On a societal level, it may even express hope that the gender expectations shackled to our fathers may be loosened by the actions of the sons. But there is a twin theme here and perhaps this is only insinuated in "I Got a Name" but illustrated much more blatantly in the life events surrounding the song: the passing of time and the inevitability of death. There's something intensely beautiful and sad in Croce's lyrics in the chorus: "Movin' me down the highway/Rollin' me down the highway/Movin' ahead so life won't pass me by." This is magnified by Croce's unexpected death. While the Hobby Horse Cowboy exists in a sort of afterlife, on a much less literal level he is the father and son, the pressures of expectation, manhood, responsibility, the ultimate death, and the promise of a frontier beyond death." Seth Styles https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435564068800-21E1FV916N1HVZM48OZE/Creature+From+The+Black+Lagoon+SMALL.jpg Fantasy and Sci-Fi Art - Gill Man - Classic Monster Series 2014 - watercolor, acrylic, and pen on paper "Back in the mid-2000s when I was properly watching the classic Universal monster movies for the first time, I was initially most interested in watching The Creature from the Black Lagoon because, when placed alongside the likes of Dracula or the wolf man, the creature seemed really bizarre. I'd be so bold as to say it almost seemed too left field to fit in with the classic horror monsters…not gothic enough in its horror elements or maybe I should say too exotic. The creature wasn't a refined monster with a predatory plan or even a decent human being consumed by vices and suppressed longings. Rather it was a primal, unrestrained child of mother nature; the nightmare for anyone with ambitions of taming the wild. Unlike the majority of its Universal horror brethren, the creature had no basis in literature and its ties to folklore weren't as popularized as the wolf man or history as the mummy. But when you got past that vicious fish DNA, the creature had some sort of feelings of love or lust that overrode its instinct to maul and maim, a trait often underlying the Universal monsters. It was easy to connect with the natural beauty in the black-and-white underwater world of The Creature from the Black Lagoon but I'm finding it difficult to put the exact feeling into words. The underwater scenes were filmed in Florida (though the film was meant to take place in the Amazon) so there was an instant familiarity and at the same time a sort of boredom in each beautiful shot of the creature in its natural element. When I say "boredom" I mean the kind that comes with knowing what's behind the curtain. I admired the natural beauty of those shots immensely while simultaneously seeing the springs of Florida and all that those springs represented to me…a sort of isolation from anything exciting. I knew those springs were bordered by trailer parks and retirement communities. At the same time, there was a slight (and I sincerely mean slight, almost non-existent but still worth mentioning) vibe of Florida's venomous flora and fauna; the mosquitos, mud puppies, lizards, snakes, and alligators. But whether they were boring, irritating, or creepy, these were the devils I knew and its through those filters that I watched gorgeous, shimmering black-and-white scenes of nature that may have been terrifying in 1954, but to my eyes just seemed leisurely. I keep stressing "black-and-white" because I don't know that the same feeling would have come across if The Creature from the Black Lagoon had been shot in color. In fact, I can only imagine that I'd feel my skin crawl in repulsion if I saw the familiar greenish tint of the springs. The black-and-white afforded me the mystery of a time before me, a small window for just enough fantasy to creep in so that I could actually still watch the creature mirroring the heroine and feel a sense of wonder. It may not be clear from this tirade but I actually greatly enjoyed knowing that The Creature from the Black Lagoon's aquatic scenes were filmed in Florida. I didn't try to divorce my fascination with The Creature from the Black Lagoon when I began my illustration of the Gill Man, but a certain severing of past associations with the film came naturally. I should mention that, unlike the Invisible Man highlighted in my previous blog entry, the creature is not public domain. This is just as well as I love the look of the creature but it doesn't leave a lot of creative freedom. In order to bring myself into the illustration properly, I had to make this my Gill Man and I immediately began to incorporate aspects of the underwater world that frightened and disturbed me but still carried hints to that majesty that I saw in the serene beauty of those aquatic scenes in The Creature from the Black Lagoon. When I was in 1st grade, my parents bought me a Siamese fighting fish (I think the politically correct term is a beta but the other name just sounds too colorful to pass up). I wanted to incorporate the confrontational frills and almost Oriental style of the Siamese fighting fish's fins into my Gill Man. I even contemplated coloring him in blues, reds, and violets like my first pet, Syrus, the Siamese fighting fish, but it just felt like the Gill Man needed a more traditional green color. His chest and stomach were designed to resemble that of a crocodile's, easily one of the most terrifying yet interesting animals to grace our planet. I gave the Gill Man rows and rows of disposable teeth like another terrifying but incredible creature of our planet, the shark. The Gill Man's curved, razor sharp nails were inspired by a scene that I adored in The Creature from the Black Lagoon in which the scientists are examining a mauled corpse with the South American river boat captain Lucas. One of the scientists hypothesizes that the man died from a jaguar attack and Lucas quickly shuts him down, scratching at the air and slurring "A jaguar's claws…they rip like this." I wanted to create a humanoid, though at the same time alien look to create the proper sense of fear I wanted from my Gill Man and I think this comes across the best in the eyes. In the eyes, you see nothing to hold onto. But I purposely made the eyes yellow while making the eyes of the surrounding fish a supernatural black to indicate that the Gill Man isn't really one of these fish. Its sort of on its own frequency. In fact, the blackness of the fish's eyes indicates that they are following the Gill Man in a sort of frenzy that defies their usual nature…almost a sort of hypnosis or group mania. (Weird side note: I got massive deja vu while writing the last few sentences). The fish assembled for this portrait quickly give away that this Gill Man isn't in the Black Lagoon. While the Black Lagoon is situated in the Amazon river (which is terrifying in its own right), the type of fish in this illustration indicate that the Gill Man is in the ocean. But that's really about where the scientific facts end because the fish aren't drawn even close to scale nor are they behaving in a manner that befits their species. Many are also deep sea fish that wouldn't do well swimming near the surface. This was all contemplated before I even began to add fish into the illustration. While it would have made much more sense to throw some bull sharks or even a saltwater crocodile in the Gill Man's entourage, it wasn't what I was feeling and I opted for feeling over science and logic. So, the Gill Man is flanked by oversized viper fish and angler fish, braving the surface. Frilled sharks swim side by side with the normally friendly wolf eels and territorial but reclusive moray eels. The barracudas make the most sense, I suppose. Gill Man aside, it may not seem that those kicking feet at the surface are in much trouble, but as the creator of this illustration, I can override science and confirm that each fish you see is very focused on devouring that swimmer. But one of the most terrifying aspects of the Gill Man illustration for me personally is the vast blue expanse behind everything. I can recognize the beauty in the open water and the ocean depths but more than that I recognize my own terror. I can further illustrate his through an excerpt from a recent entry in my personal diary: "A few days ago, I found a youtube video that actually showed a crocodile 'trainer' being killed by his crocodiles. I felt bad about watching it. Everything was so pixelated, I couldn't really tell what I was looking at. A man (I'm assuming) in a long black robe was walking with a long stick among several crocodiles on a bank along a large lake while people in manmade stands watched from an elevated point. The trainer was prodding the large pixelated shadows. As he's stepping over one of the crocodiles, it turns its head casually and seems to catch him by the robe, causing him to fall. At this point, the spectators jump from their seats, screaming in outrage. When we finally see down onto the bank again, I assumed the crocodile was laying upon the trainer though I started to see commotion in the lake. It seemed like the crocodiles had overpowered the trainer and then dragged him out into the water where they tore him apart. This seems so much more terrifying than killing him on the bank." I was really concerned with leaving so much blank space in this illustration, second-guessing myself, feeling that I could fill it in with seaweed or more fish or something. But honestly, the Gill Man wouldn't be nearly as terrifying on land. What's really scary is that he's about ready to drag that person away from what s/he knows, into that ever-darkening blue." Seth Styles BUY POSTER OF GILL MAN https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435714885184-F5Z19QWR3ZK0OLIM4P9F/Ace+of+Pentacles+-+uncolored+-+unedited+-+signature+-+resized.jpg Fantasy and Sci-Fi Art - Ace of Pentacles - Tarot Series 2015 Pen on Paper https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435558928228-N3C8UHO6UQ8NYIUWQEL6/Knight+of+Pentacles.jpg Fantasy and Sci-Fi Art - Knight of Pentacles - Tarot Series 2014 - watercolor, acrylic, and pen on paper "Money and wealth have been both glamorized and demonized in Western society so much that it is often hard to get a clear concept of abundance and how one relates to it. This was a huge struggle for me even before I began work on the Knight of Pentacles. I'd been meditating on money for years, trying to deprogram myself so that I could accept without guilt. I've loved money but not as much as I've feared a lack of money and even in moments of financial security (and outright excess when compared to the majority of the world), I'd feared poverty to a point that could easily be considered an addiction to fear. My efforts to overcome my flaws found me thinking about wealth often, sometimes with faith, other times with terror. And so the Knight of Pentacles has become a very important figure in my mythology, often appearing to me in meditations. As with any knight card, the Knight of Pentacles deals with movement but specifically in matters of work and money. It's common to find descriptions of the Knight of Pentacles as a simple. humble, yet patient character, bonded to nature and content with plodding through the menial tasks and tedious hard work to get his rewards. Admittedly, my Knight of Pentacles is quite different than his predecessors, but this has a lot to do with my own metaphysical beliefs. I can translate a facet of these beliefs most simply into the concept that working hard is not necessarily better than working smart. My Knight of Pentacles can be seen as humble as much as glamorous, he is tied to nature quite strongly, and his ingenuity and gift for strategy gain him prosperity and abundance. I've always assumed my Knight of Pentacles would wear red primarily. When doing chakra meditations, I often concentrated on images of red money and red tribal warriors brandishing sharpened red blades when working on my base (red) chakra. These tribal warriors evolved into masked beings that could only be described as red ninjas, protecting their clan. Anyone who has done chakra work will know that the base chakra incorporates matters of stability (which often translates to financial stability in my mind) and tribal/familial/societal/cultural beliefs. Therefore, the color red was heavily incorporated into my concept of the Knight of Pentacles. Likewise, green is often the color of abundance, prosperity, and in American culture, money. Therefore, the color green was used liberally throughout my illustration. Even the green candles are simply an allusion to a popular component of spells for money. Gold was also incorporated for its obvious correlation with wealth. I depicted the Knight of Pentacles as a samurai and this was one of those lovely intuitive flourishes that came from somewhere beyond my conscious mind. If I were to try to make sense of divine inspiration, I'd assume that my Knight of Pentacles uses a lot more tactic and strategy than the other knights in my tarot as economic matters often require thought and, at times, stealth. When I say stealth, I am referring to pure skill and thinking on one's feet as opposed to any sort of dishonorable activity. Like the mythic samurai, my Knight of Pentacles serves with honor, fully aware that there is enough abundance in the world for all. He simply loves money and uses his mind to acquire it. A samurai often served as a warrior for the noble class, again linking my Knight of Pentacles to wealth. What may be less obvious about my Knight of Pentacles is that he is actually a scarecrow. If you look beyond the golden mask, you can see the blank burlap sack that covers his gourd head, falling down into a moth-eaten cape. Scarecrows are tasked with watching over the land and protecting the abundance. Within this context, it makes perfect sense that my Knight of Pentacles would be a samurai scarecrow. But the Pentacles Suite is also tied to the element of earth just as the scarecrow is born of the land, like an earth golem made of gourd, straw, and dust. The farmer finds value in waste, using manure to fertilize the land. So too is this scarecrow a protector made from waste, a golem conjured from the earth to protect the earth. The waste becomes assimilated into the prosperity. As a scarecrow, the Knight of Pentacles can be seen still mounted upon his wooden cross. This is simply further reinforcement of the concept of stability that can come through the work of the Knight of Pentacles and therefore a balancing of the base chakra. Though the Knight of Pentacles wears some traditional samurai armor, he is not as ensconced in armor as the other knights in my tarot deck. This again goes back to his tact and strategy. His body is made of enchanted straw so traditional attacks pass through him. In this natural simplicity, he finds an advantage. Strategy over brute force often brings this knight his rewards. Most incarnations of the Knight of Pentacles depict him with a pentacle coin in his hand. It may not be obvious due to the amount of detail, but the knight is rolling his coin across the twig fingers of his left hand. This again reinforces his tendency for strategy, walking the coin as a distraction while he blocks using the golden kitana in his right hand. The harvest moon rises above an orchard of pomegranate trees in the background. The golden harvest moon references abundance in that it signals the opportune time for collection of the crops; the point when the work, ideas, and strategies come to fruition. I really wanted to use pomegranates as the crop that the knight stood over. I later read that the Ancient Egyptians regarded the pomegranate as a symbol of prosperity and ambition. The knight is skewering a pomegranate with his golden kitana, spilling the seeds in a symbolic gesture for further abundance to come. The hilt of the kitana offers another blade showing the abundance of resources at the knight's disposal. Golden diamonds accentuate the hilt as an obvious nod to riches and wealth. The scarecrow that is the Knight of Pentacles wears a golden youth face mask with decadent baroque curls. It represents the beauty and youth that prosperity offers. The samurai helmet extends into a set of horns vaguely alluding to the bull (Taurus, an earth sign) and a golden leaf crowning the helmet as a reminder of the knight's bond with the natural world. The Knight of Pentacles' steed is a horse of pure gold with golden pentacle coins entwined in its fancy curls. Vines, representative of the abundance of nature (and, again, the knight's ties to this), cling to the proud golden horse. It bares a coin slot indicating a willingness to receive abundance." Seth Styles BUY POSTER OF THE KNIGHT OF PENTACLES https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642643408718-VYOVBXTXLG317EUB01OA/image-asset.jpeg Fantasy and Sci-Fi Art - "Prism Rock City" Single Cover Art Released July 30, 2021. https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642720159904-Y5JNCHSQT7BWJFUVWU0U/The+Death+of+Romance+-+Chapter+01+-+Master+-+3.jpg Fantasy and Sci-Fi Art - Excerpt from Chapter 1 of The Death of Romance https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642722901723-VO5X6IENNBGL40SEBULK/Cypress+Valley+Chapter+1+Excerpt.jpg Fantasy and Sci-Fi Art - Excerpt from Chapter 1 of Cypress Valley https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642723194794-C04CK8CZAXS52EBT4U03/Spirit+Guide+Carisa.jpg Fantasy and Sci-Fi Art - Spirit Guide of Divine Inspiration Jan 5, 2015 - watercolor and pen on paper "I am first aware of the spirit's gaunt, towering figure, a silhouette against the light. Yet, even in this first impression I notice its elegance and relaxed grace. It moves slowly, yet confidently out of the light, seeming to almost float… Every person receives special messages from source. These messages may relate directly to our life's work or reason for being. This creature can transcend dimensions and exists as a sort of translator. Messages coming from higher frequencies and dimensions may be indecipherable at our dimensional frequency, but this being brings clarity. You can think of this sexless entity as a sort of wizard emerging from the void, a spirit of mirrors, prisms, and the dark potential of deep space. It uses crystals to take the secret messages that come to you, specific secret messages from divinity, and translate them through prisms that break the messages into simpler, digestible ideas and concepts that we can then use to do our work on this plane. You can look into this majestic being's mirrored face and see the source reflected in your own image. This being uses its crystal prisms to project a face that we can comprehend, a face that can communicate with us, that can whisper those secret messages from the source in our own language. If you look at the lower half of this spirit, you'll notice that its border becomes less-defined, blurring into different colors and shapes. That is because this creature can exist in several dimensions at once. It may have one ear in a higher dimension, "listening" to messages of complex light while its holograph mouth whispers the translation into your ear a few dimensions away. In having this Spirit come forward at this time, it is crucial that you notices what signals, messages, ideas and inspirations you are receiving as they are coming from a higher dimensional space right now and directly relate to your higher purpose in this life. There are ideas whispering to you now from on high and you must be silent, listen and take action based on the messages you are receiving. This is a time of great cosmic assistance, synchronicity and divine inspiration. Listen to your inspiration now as it is communicating great ideas that with your love, nurturance and loving action, can become great gifts for humanity too. Don't be afraid to take risks for as you bring the new forward, it may not be familiar or comfortable to others but you must honor the ideas and revelations received and you will pioneer a new time for yourself as well as gifting new ideas, concepts, healing, liberation and progress to others. Use this portrait to establish a personal connection with the higher realms so that you can live your divine inspiration with clarity of purpose. Stay in tune with this spirit being to receive ideas and revelations in your life's path and a deeper understanding of your significance. With the aid of this regal guide, you can expect great ideas, divine inspiration as well as solutions to obstacles, and heightened focus in matters of your life's mission." Seth Styles BUY POSTER OF DIVINE INSPIRATION https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435531979583-UVUHO8CTJDVQUT9D8SXS/Strength+-+Occult+Art.jpeg Fantasy and Sci-Fi Art https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1403319867312-6MXWIYV9HO5XVTN28QO5/Synthetic+Angel+sketch.jpg Fantasy and Sci-Fi Art - Azazelon Rex - The Synthetic Angel (sketch) 2014 - pencil/pen on paper https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435715618926-BL7DFLXLPXZCCSVJ0RBE/Frankenstein%27s+Monster+%28no+color+-+edit+-+resize%29.jpg Fantasy and Sci-Fi Art - Frankenstein's Monster 2014 Pen on Paper https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435564810682-JZNLTL7BZ2YL2CN0435C/Disney+Orphan+-+Space+Mountain+-+Color+Corrected+SMALL.jpg Fantasy and Sci-Fi Art - Disney Orphan - Space Mountain 2014 - watercolor, acrylic, and pen on paper "The idea of the Disney Orphans in my mythology grows from childhood contemplations blown into dark terrain through currents of fear that have probably existed in the universal consciousness for as long as history documents. In the '80s, there was a recurring threat of apocalypse just as had existed in the decades before and followed the decades after. There's always been a Mayan Calendar or Y2K looming in our futures. Growing up in Southwest Florida with occasional rumours of Cuban missiles pointed at my living room, I found myself more than once contemplating my apocalypse survival plan. Naturally, this plan meant walking through the post-apocalyptic wastes to Disney World in Orlando. The look of the typical Disney Orphan came to me in a last-minute attempt to throw together a Halloween costume. I was living with my ex-girlfriend at the time and one of us had made a joke about bootleg Disney merchandise. At this point, the look wasn't meant to tie into the Disney Orphan mythos, largely because there really wasn't much of a mythos in existence. The whole thing was pretty much glued together by a dumb joke about using my ex-girlfriend's black bra as bootleg Mickey Mouse ears. While this was the joke that motivated the costume, it was the only part that I can remember didn't actually work. I made my own creepily distorted Mickey Mouse t-shirt, my own Mickey Mouse tights, generic Mickey Mouse pins, etc. but in the end I had to use a genuine pair of Disney-issued Mickey Mouse ears because, despite my best efforts, my ex's bra just couldn't be moulded into a convincing hat. However, I really loved the look of the costume in its final result and began affectionately calling it the Disney Orphan. It's as if the story behind the Disney Orphan mythology was slowly being remembered the more I looked at myself in that attire. It was such an easy and visually-appealing costume for me that I found myself returning to it for several consecutive Halloweens. These were the seeds of the Disney Orphan mythology. So what is a Disney Orphan? Like much of my artistic work, the definition is fluid and hard to pin down, so it's easiest to site the Disney Orphans appearances in my work. At their most basic, the Disney Orphans form a tribe of feral children who live in an alternate reality post-apocalyptic Disneyland/Disney World. While this Disneyland has many similarities to both of the American theme parks, there are very obvious differences, such as a recurring crocodile display where the Disney Orphans execute adults, other outsiders, or Disney Orphans that are found guilty of some crime against the tribe." Seth Styles BUY POSTER OF DISNEY ORPHAN - SPACE MOUNTAIN https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1435565977549-AM3IXKT205RKT3KZPUDK/Angel+Castle+08+-+Justine+-+small.jpg Fantasy and Sci-Fi Art - Justina - Angel Castle 2014 - marker and pen on paper "This depicts the character of Justina, a chauffeur butterfly who assists the fairies of Angel Castle during their time on Earth. Justina is often described for her beauty and I tried to capture that elegance in a way that children and adults could both understand while at the same time capturing in her an alien quality that would maybe distance her from the humans yet make her perfectly acceptable to the fairies. The design of Justina came to me as a creature so cosmically beautiful and graceful that a human rooted in our world might have trouble comprehending her gorgeousness...or possibly even find her unnerving." Seth Styles BUY POSTER OF JUSTINA http://www.seth-styles.com/marketing daily 0.75 2025-07-13 https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642117972635-0M3OTOYYX2KSJGE0LGVD/IMG_7773.jpg MARKETING - Weed World - An Unused Promotion for MarijuanaPackaging.com Some of my favorite projects were the ones too lofty and ambitious to be used. Weed World is the perfect example. Inspired by theme park maps, Weed World was originally conceived as an interactive map that, when navigated, would take customers to different sections of our shops. However, interest in the Weed World project grew to include other members of the Creative Department with its final incarnation being an interactive video game that customers could play on their phones. Developers were being consulted but inevitably the budget just wasn’t there, more pressing matters arose and Weed World was shelved indefinitely. Above is the map that I sketched for Weed World to give to the graphic design department. They were also given a folder of comprehensive notes I’d drafted explaining the “rides” and how they would tie into sections of our website and specific product promotions. https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642699459915-XVC6UOPKS6YOQ8WAF1M0/Screen+Shot+2022-01-13+at+4.50.22+PM.png MARKETING - Press Release for Carisa Bianca Mellado Music Video I’ve written probably close to 50 press releases over the last decade… not an astounding number, but it’s also never been my primary responsibility at any point in my career. The subject matter’s run the gamut from company acquisitions and shifts in management to album releases and video launches, as this early example from December 2014 illustrates. https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642702954578-SWBWRW0O6ODUBDM2W7JN/Banger+Saver+Ad.jpg MARKETING - Ad for Dab Nation Banger Saver Disclaimer: I did not work on the graphic design for this ad (it was often in those days handled by interns or brand managers who typically only had rudimentary graphic design experience). The Banger Saver was an original product of Dab Nation; a platinum-cured silicone container designed to allow cannabis enthusiasts to quickly grab hot quartz bangers (paraphernalia used in the consumption of concentrated cannabis wax) when they had to run without making a mess or risking damage to the sensitive (and often expensive) quartz. This ad would have been used in email blasts, banners and possibly social media sometime in 2020. https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1743827076147-DQTNG2D8AMK727KFU2KW/Blog+Demo+1.jpg MARKETING - Putting Down the Los Feliz Murder House When I needed to build up the SEO of a real estate firm, I needed to find topics that would be interesting to people even beyond the confines of real estate while focusing on keywords relevant to the real estate industry. My greatest success, at least in terms of clicks, ended up being this blog about a true crime story that took place in a mansion in one of the areas we serve. I considered that highlighting a regional murder suicide, even one that occurred decades ago, might not be the right move for a company trying to sell houses. But I gambled on local eccentricities prevailing, and it paid off. Read the full blog here. https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1744564568104-VOQXZBB336LEWGJ7RQIX/Focus%2BV%2BLight%2BUp%2Bthe%2BSky.jpg MARKETING - Subject: Light Up Your Nights with Focus V The original tag I came up with for this was “Light Up Your Nights” which I preferred. This email blast was designed to promote Focus V’s line of Laser CARTAs: portable vaporizers with built-in LEDs for illumination. October 2021. _______________________________________________________ https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1642698917386-JB81EENDB29W2GLJQY3Y/Screen+Shot+2022-01-13+at+12.45.10+PM.png MARKETING - Product Description for the Focus V Helios CARTA Limited Edition Vaporizer I’ve written thousands of product descriptions over my career, exemplified by this limited edition portable vaporizer model for Focus V. Read full product description here. _______________________________________________________ https://images.squarespace-cdn.com/content/v1/53580a51e4b0ed47accd13e1/1752429544943-0T9NQSZKGPBRVI97U57R/Dawnridge+Walkthrough.jpg MARKETING - Walkthrough of Tony Duquette's Dawnridge with Hutton Wilkinson After reading a blog that I’d written about Dawnridge, the legendary Beverly hills home formerly owned by Hollywood design icon Tony Duquette, the current owner and Duquette’s protege, Hutton Wilkinson, personally invited me out to see it for myself. With a little arm twisting, I was able to bring along the JohnHart Media crew for this exclusive walkthrough. Watch the video here. _____________________________________________________ http://www.seth-styles.com/eastward-avenue daily 0.75 2025-04-22 https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377894047710-GZAJU4AF0PJRA5ROQ5TP/8546b3b89c1aad4d96a8988f9cf37c99.jpg Cities https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377893872802-BM9UIZ8LFFBNEMLVXFNT/8546b3b89c1aad4d96a8988f9cf37c99.jpg Cities https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377893879812-34YY60SC6K2KZCH8D73E/0b4cbb0d5f866fe7bc4075468ecff7ac.jpg Cities https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377893879814-G5MVDOMPIG78430DHR5O/4bdd33725e5605ec6ae830b998597499.jpg Cities https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377893879983-V4M482GQOECIBB52CDTY/6f1b62c21006a52b0148450ddd75492c.jpg Cities 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