The White Magician is possibly my hardest work to define so far while also being the painting that I've shared the least. This does not mean it's any less special to me...it's just still a work that is somewhat of a mystery to me; perhaps my purest form of taking inspiration directly from the source without asking any questions.
The image of the White Magician came to me in November 2013 while I was immersed in work on other paintings and though the image kept returning to me, I somehow doubted I would actually find enough focus to paint it. It was almost like a dream, just a faded gossamer wisp on the edge of my mind that cut through my consciousness for fleeting moments only to be forgotten again.
The idea of a primarily white painting seemed strange to me as painting pure white on white canvas seems like work for little result. But as I began work on this painting in earnest, the period of doubt soon gave way to results that matched the images and symbols in my head accurately. I never questioned or even thought much about what I was doing. I don't even recall if I was really conscientiously creating symbols of the elements.
A few months later, I found myself taking a course on the tarot and when the Magician card was described to have the elements at his feet, I immediately thought of this painting. I was pretty ignorant to the tarot and its symbolism so this was a strange parallel to stumble upon. I noticed that the White Magician's hands were also similar to the Hierophant's which was also unintentional.
Naming this painting "The White Magician" is a formality - I still feel like maybe this painting can't be tied down to a name by a person who, despite having the honor to create it, does not fully understand it. It's had several titles but they all seemed to anchor it into a reality that supposes I had more control over its creation than I did.